'Fareweel my sweet Virginia' - 'Die, Die Lavinia': defiled Roman Maidens in Webster and Heywood's Appius and Virginia and Shakespeare's Titus |
Have we ever been/ Will we still be human? Law and literature faced with the shifting boundaries of humanity and technology |
Is burocracy the answer of the law to digital technologies? |
The legal, the digital, and the global production of space |
Minding the shift: some thoughts on the human and the not too human mind |
New materialism in law. A plea for a contemporary ontology of intellectual property law |
Of sexbots, cyborgs and artificial intelligence: articulation of the posthuman subject in Jeannette Winterson's Frankissstein: a love story |
On the Marionette Theater by Heinrich von Kleist. In other words: the impossibility of man's salvation throught technology |
Somatic jurisprudence: re-drawing the boundaries of the human body |
Sustainable posthumanism. Ethical nudging on the human and normative robomorphing |
Worlds falling apart: human and nonhuman in Jeannette Winterson's The stone gods |
'A name which to them is sacred': quarkers and religion trademarks in American entreprise |
Copyright, ghosts, information |
Domination and submission. From the idea of 'Legal personality' back to the metaphor of the 'Mask' |
The emergence of Yoga-as-property in American law: the haunting presence of commercial logics from Swami Vivekananda to Bikram's Hot Yoga |
Impossible realities and intellectual property: specters of value in Amie Siegelìs Provenance |
Non-singular logics of intellectual property in biomedical innovation |
Schrödinger's Rose: indeterminacy and contingent futures in the plan variety rights system of Aotearoa New Zeland |
Spectral shadows in scentific practice: unveiling the haunting effects of authorship and scientific capital accumulation |
The spectre of the machine: finding space for empirical inventions in patent law |
Spectres of intellectual property in the Soviet Union: the development and recognition of the inventor's certificate |
'The whore that lost everything': the tyranny of law and the queer feminisation of soft power as explred in black sails |