Autore: Rozzoni, Claudio
Titolo: From Abbild to Bild? Depiction and Resemblance in Husserl's Phenomenology
Periodico: Aisthesis
Anno: 2017 - Volume: 10 - Fascicolo: 1 - Pagina iniziale: 117 - Pagina finale: 130

In a well-known course he gave in 1904-1905, Edmund Husserl developed a ‘threefold’ notion of image revolving around the notion of depiction [Abbildung]. More specifically, the phenomenological description allows a seeing-in to emerge as an essential characteristic of the image consciousness, in which an image object assumes the role of a representant [Repräsentant] in order to allow us to see the image subject in the image itself (thanks to “moments of resemblance” shared by image object and image subject). Nevertheless, our paper – focusing particularly on what might be called the depictive art par excellence, that is the portrait – aims to show that it would be erroneous to read the Husserlian notion of image exclusively on the basis of this earlier course: things seem to change significantly when Husserl develops a different notion of phantasy, and artistic images, in particular, are not to be thought of as resembling something else, but rather as expressive images producing their own model.


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SICI: 2035-8466(2017)10:1<117:FATBDA>2.0.ZU;2-Q
Testo completo: http://www.fupress.net/index.php/aisthesis/article/download/20912/19266

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