Autore: Leone, Giuseppe
Titolo: From Universal to (Flawed) Particular: Subversive Attempts to Re-Create the Real in Elizabethan Theatre
Periodico: In verbis
Anno: 2016 - Fascicolo: 2 - Pagina iniziale: 119 - Pagina finale: 138

This article aims to analyze the transition from Universal to Particular in Elizabethan Theatre, underlining that this transition is doubly revolutionary: on the one hand, being an attempt to recreate a plausible reality, stealing God's creational power, and on the other, claiming the right to change - according to the author's will and to his theatrical urgent convenience - the axes of time, space, etc. The events staged are set in a specific scenario where past melts with present and geo-political slips go together with further inexactnesses with neither severe coherence, nor censure, nor formal disapproval. In this sense, the use of the Renaissance stage can be considered subversive.


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SICI: 2279-8978(2016)2<119:FUT(PS>2.0.ZU;2-N
Testo completo: https://www.rivisteweb.it/download/article/10.7368/85385
Testo completo alternativo: https://www.rivisteweb.it/doi/10.7368/85385

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