Autore: Imdahl, Max
Titolo: Iconica. L'intuizione delle immagini
Periodico: Aisthesis
Anno: 2012 - Volume: 5 - Fascicolo: 2 - Pagina iniziale: 11 - Pagina finale: 32

Posthumously published by Gottfried Boehm, Iconic may well be considered as a concise summa of Max Imdahl’s theories and methods. Referring to Panofsky and to his idea of an art-historical understanding on three levels («pre-iconographic», «iconographic» and «iconological»), Imdahl highlights the limits of such interpretation, suggesting the necessity of overcoming it and outlining a fourth level which he calls «iconic». Basing on this approach, it becomes possible to look at images as self-referential systems, as autonomous domains endowed with a constitutive and productive power irreducible to verbal explanation.


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SICI: 2035-8466(2012)5:2<11:ILDI>2.0.ZU;2-T
Testo completo: http://www.fupress.net/index.php/aisthesis/article/download/11474/10944
Testo completo alternativo: http://www.fupress.net/index.php/aisthesis/article/download/11474/10973

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