Autore: Moro, Simone
Titolo: L'ordine artificiale delle parole nei "Canti" di Leopardi
Periodico: Lingua e stile
Anno: 2014 - Fascicolo: 1 - Pagina iniziale: 43 - Pagina finale: 70

"Ordo artificialis" figures are widely used in literary language, both in prose and poetry, but they can still be of stylistic value. In Leopardi's "Canti" we observe a fluctuating but widespread use of this kind of syntactic construction, such as anastrophes, hyperbatons and epiphrasis. According to a typological analysis, focused on the syntagmatic level of the sentence, the phenomenon indicates a clear continuation of the tradition. However, focusing on its more complex forms (synchysis) and considering the interaction with metrics (particularly "enjambements"), we note a more refined use. The application of these structures is restricted to a few poems or passages, for which we may suppose that the figures play a stylistic and poetic role.


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SICI: 0024-385X(2014)1<43:LADPN">2.0.ZU;2-B
Testo completo: http://www.rivisteweb.it/download/article/10.1417/76628
Testo completo alternativo: http://www.rivisteweb.it/doi/10.1417/76628

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