Autore: Toscano, Bruno
Titolo: Il codice: quale cultura?
Periodico: Economia della cultura
Anno: 2004 - Volume: 14 - Fascicolo: 3 - Pagina iniziale: 375 - Pagina finale: 383

The article analyses the Code showing the very large number of definitions of cultural interest included therein; this a sign of a feeble time-spatial consciousness of what is a work of art - sometimes viewed as a simple commodity. In addition, while during the last fifty years art studies have evolved recognizing a new, complex and rich geography of cultural goods (and their context - social, natural, historic), the spirit of the Code is that of simplifying that richness mutilating - by saleability - the very nature of cultural goods. Furthermore, the regulator assumes a character and a competence that may not be always present in the real world. In the end, the effort is there: but it puts together safeguard and liberism, aggravating the task if control without increasing its effectiveness.


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SICI: 1122-7885(2004)14:3<375:ICQC>2.0.ZU;2-B
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