Autore:
Pallotto, Manuela Titolo:
Mnemosyne. Un Trauerspiel moderno da Amburgo. In bianco e neroPeriodico:
AisthesisAnno:
2010 - Volume:
3 - Fascicolo:
2 - Pagina iniziale:
0Warburg’s inquiry does not oppose Renaissance to Baroque; on the contrary the Renaissance shows here the features of those melancholy which for Benjamin belongs to the seventeen-century “Trauerspiel”. The melancholy constellation of the past, the mirror in which – both for Benjamin and for Warburg – actuality looks at itself, is enlightened in Benjamin by a redemption spark that is denied to Warburg. The set of photographic fragments to which, like a modern “Trauerspiel”, the “Mnemosyne Atlas” reduces the world does’t admit indeed any transcendence.
SICI: 2035-8466(2010)3:2<0:MUTMDA>2.0.ZU;2-Z
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http://www.fupress.net/index.php/aisthesis/article/download/11013/10385Esportazione dati in Refworks (solo per utenti abilitati)
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