Introduction: A Dance Routine Set in a Library |
Sonnet 18 |
Beyond the Balcony Scene: Retelling Romeo and Juliet on Italian Television |
Che Cosa Sono le Nuvole?: Filmic Appropriation and the Rediscovery of Material Reality |
The Boundaries of Citation and Allusion: Shakespeare in Davide Ferrario's Tutta colpa di Giuda (2008), Alfredo Peyretti's Moana (2009), and Connie Macatuno's Rome and Juliet (2006) |
When the Lovers Meet Prospero. Jeremy Sams's The Enchanted Island, a Shakespearean Pastiche |
"O O O O that Shakespeherian Rap": Reimagining Othello through Contemporary Popular Music |
"Like a cook, placing the dishes": Performance of "Eating" Practices in Titus Andronicus |
Shakespeare, a Basketball Court and Felicità. Collettivo Teatro Metropopolare in La Dogaia Prison, Prato |
Rosalind and Celia as the Victorians Liked Them: Womanly Heroines in the Forest of Arden |
Shakespeare and the Edwardian Turn of Mind: Textual Poaching and Mis-citation |