Autore
Aloisi, AlessandraTitolo
Una macchina dal nome infernale in arrivo da un paese romanticoPeriodico
IntersezioniAnno:
2017 - Fascicolo:
2 - Pagina iniziale:
163 - Pagina finale:
182In the "Discourse of an Italian on Romantic Poetry" (1818), one of the most representative texts of the Italian Classicist/Romantic quarrel, Leopardi accuses Romantic poetry of operating like a machine that produces nothing but a passive imitation of reality. By proposing some hypotheses concerning the nature of that mysterious device, this article analyses the importance of such a negative analogy between Romantic poetry and a machine. This analogy sums up the very essence of the aesthetic revolution that took place between the eighteenth and the nineteenth centuries: a revolution that, with Jacques Rancière, we can define as a shift from the regime of representation to the aesthetic regime of art.
SICI: 0393-2451(2017)2<163:UMDNII>2.0.ZU;2-F
Testo completo:
https://www.rivisteweb.it/download/article/10.1404/86921Testo completo alternativo:
https://www.rivisteweb.it/doi/10.1404/86921Esportazione dati in Refworks (solo per utenti abilitati)
Record salvabile in Zotero
Biblioteche ACNP che possiedono il periodico