Autore
D'Aloia, AdrianaTitolo
Embodiment ed esperienza filmica. A partire da "Gravity"Periodico
Reti, saperi, linguaggiAnno:
2015 - Volume:
3 - Fascicolo:
1 - Pagina iniziale:
149 - Pagina finale:
166This contribution reflects on contemporary film experience under the light of the encounter between the traditional semiological/aesthetic approach to narrative audiovisual media and some notions borrowed from embodied cognitive science. The theory of "embodied cognition" is studied with particular reference to a specific film genre and respective formal style, i.e. space-exploration film. As a case study, the opening sequence of Alfonso Cuarón's Gravity is analysed to point out the dynamic "disembodiment/re-embodiment", which is described as a strategy of spectator's involvement.
SICI: 2279-7777(2015)3:1<149:EEEFAP>2.0.ZU;2-T
Testo completo:
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http://www.rivisteweb.it/doi/10.12832/81295Esportazione dati in Refworks (solo per utenti abilitati)
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