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Introduction: Performing Narrative across Media |
Adapting 'Real-life' Material: Metatheatrical Configurations of Authorship and Ownership of Story in Contemporary British Verbatim Theatre |
Dissonant Fabulation: Subverting Online Genres to Effect Socio-Cognitive Dissonance |
From George Orwell to David Bowie: Performing Dystopian Narratives in the Diamond Dogs Album and Show |
Hybridised Genres: Accessing Spaces Conventional Biography Cannot Reach |
Performing Rituals of Self-Narration: Benjamin Zephaniah's Storytelling |
What is Your Story Now? Life Narrative under Threat in Douglas Coupland's 'Extreme Present' |
Drama on the Move: Intermedial Dialogue in Caryl Churchill's Love and Information |
Tim Crouch's 'Transplant': ENGLAND's Performing Narrative in Art Galleries |
'Talking Pictures': Digital Storytelling and Performance in Heritage Communication |
Collage and Decollage: A Multi-Media Approach to Black and Asian British Identity |
Montage Epic in John Akomfrah's Vertigo Sea: The Politics and Aesthetics of Multiscreen Narrative |
Of Trees and Flipbooks: Multimedia Wounded Passages in William Kentridge's Second-hand Reading |