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Introduction. Postcolonial Embodiments in Contemporary Performance |
"The Freedom of the Thief": Derek Walcott's The Joker of Seville as a Cross-cultural Dialogue with Tirso de Molina |
"The Real Australian Story": Studying Kullark as a Reassessment of Cultural Identities |
Black British Women's Theatre in the 1980s and the Politics of Representation |
Acting Agency in Aotearoa New Zealand: Hone Kouka's and Briar Grace-Smith's Debut Plays |
Lament as Women's Speech in Femi Osofisan's Adaptation of Euripides' Trojan Women: Women of Owu |
Embodied Otherness and Hybridity: David Greig's The Bacchae and the Reprise of Ancient Greek Tragedy |
Embodying Otherness: Nelisiwe Xaba's Fremde Tänze |