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Apple Music. La fin de l'histoire? |
Benjamin, Desnos et la place d'Atget dans l'histoire de la photographie |
Fisiologia del gesto. Fonti warburghiane del concetto di Pathosformel |
Foreword |
"Intermittency: the differential of time and the integral of space. The intensive spatiality of the Monad, the Apokatastasis and the Messianic World in Benjamin's latest thinking" |
Listening to Music in the Digital Era |
The musical work in cyberspace: some ontological and aesthetic implications |
Performances Compared. Sequential replication of the same music piece on an audiovisual file |
Perspective and Spatiality in the Modern Age |
Plato on the Stream. Platonism in the Age of Streaming |
Reviews & Comments |
Skipping the tracks. The experience of musical improvisation online |
Aesthetics of Fake. An Overview |
Animal Flicker |
Camouflage élargi. Sur l'individuation esthétique |
Il camouflage nel campo allargato. Variazioni su Disruptive Pattern Material e Dazzle Painting nella cultura visiva contemporanea |
Clement Greenberg e la Halakah del Modernismo |
Copie che sono solo la mia (con una nota di Filippo Fimiani) |
L'estetica del camuffamento animale. Riflessioni sul mimetismo biologico |
"Être comme tout le monde". Per un'archeologia classicista del mimetismo sociale |
Mimicry, Ekphrasis, Construction. "Reading" in Freudian Psychoanalysis |
Protée et Caméléon. Mimétismes, calembours harmoniques et dissociation des formes dans la musique de la Renaissance |
The Quest for "Authenticity". Three performances of a Bach's fugue compared |
Reflections on imitation, vocal mimicry, and entrainment |
Reviews & Reports |
Setting the Stage for Deception. Perspective Distortion in World War I Camouflage |
Through the Flat Canvas: The Motor Meaning of Realistic Paintings |