Associazione ESSPER
periodici italiani di economia, scienze sociali e storia
periodici italiani di economia, scienze sociali e storia
Textus - 2017
Risultato della ricerca: (34 titoli )
| Adverse Conceptual Representations of Children in Rape & Sexual Assault Cases in England and Wales, in Legal Processes and the Media |
Textus - 2017
| Cognitive Linguistics and Translation Studies: Translating Conceptual Metaphors in Popular Science Articles |
Textus - 2017
| Eyelashes, Speedometers or Breasts? An Experimental Cross-cultural Approach to Multimodal Metaphor and Metonymy in Advertising |
Textus - 2017
| The Impact of Figuration on Word-formation: The Role of Figurative Language in the Production and Interpretation of Novel Analogical Compounds |
Textus - 2017
| "In the depths of the world's credit crisis": Compelling Synergies between Conceptual and Grammatical Metaphor in a Corpus-assisted Study of the British and Italian Financial Press |
Textus - 2017
| Introduction. 1987-2017: Thirty Years of Idealised Cognitive Models |
Textus - 2017
| Investigating Metaphor and Metonymy in Oral Financial Discourse: A Corpus-driven Study |
Textus - 2017
| Metonymy and Metaphor in the Construction of Meaning of English Continuative Verbs |
Textus - 2017
| Morality, Ideology and Metaphorical Family Roles in Obama's Political Speeches |
Textus - 2017
| On the Figurativity of Mouth in Fully Lexically Specified Constructions in English |
Textus - 2017
| A Radical Approach to Metonymy |
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| Reading Figurative Images in the Political Discourse of the British Press |
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| Representing Manhood: The pre- and post-War English Gentleman in 17th century Courtesy Books |
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| Tastes We've Lived By. Taste Metaphors in English |
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| You are the Colour of My Life: Impact of the Positivity Bias on Figurativity in English |
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| Acting Agency in Aotearoa New Zealand: Hone Kouka's and Briar Grace-Smith's Debut Plays |
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| Black British Women's Theatre in the 1980s and the Politics of Representation |
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| Embodied Otherness and Hybridity: David Greig's The Bacchae and the Reprise of Ancient Greek Tragedy |
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| Embodying Otherness: Nelisiwe Xaba's Fremde Tänze |
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| "The Freedom of the Thief": Derek Walcott's The Joker of Seville as a Cross-cultural Dialogue with Tirso de Molina |
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| Introduction. Postcolonial Embodiments in Contemporary Performance |
Textus - 2017
| Lament as Women's Speech in Femi Osofisan's Adaptation of Euripides' Trojan Women: Women of Owu |
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| "The Real Australian Story": Studying Kullark as a Reassessment of Cultural Identities |
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| The Books Sir Edward Denham Doesn't Read: Jane Austen's Literary Jokes |
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| Caricatures and Characters: James Gillray and Jane Austen |
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| Free Speech: Jane Austen, Robert Bage, and the Subversive Shapes of Dialogue |
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| Genre-Bending at Mansfield Park: The Remediation of Austen's Female Characters Across Novel, Theatre and Film |
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| Jane Austen's Irony: Lost in the Italian Versions of Pride and Prejudice? |
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| New Performances of the Past: Jane Austen as Subversive Vampire in New York |
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| Preface: Subversive Criticism in Austen Studies |
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| The "queerness and the fun": Reading Jane Austen's Volume the First |
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| Revisions of Englishness: Jane Austen and the Discourse of National Characters |
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| Subversive Austen: Introduction to the Special Issue |
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| World Austen: Empowerment and Tradition on the Screen |
Textus - 2017