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Daniela Carpi and Jeanne Gaakeer (eds.)Liminal discourse: subliminal tensions in law and literature. de Gruyter, Berlin/Boston, 2013 [recensione] |
Defining legal vagueness: a contradiction in terms? |
Focus: law, literature and (popular) culture |
For a new semantic of differences: cultural exception and the law |
Interrelations between law and culture: Iain M. Bank's The player of games |
Legal liturgies: the aesthetic foundation of positive law |
Modernity, experience, and the law in The education of Henry Adams |
State vs. estate: Jane Austen and the law of inheritance |
True blood: multicultural vampires in contemporary society |
Violation of human rights in Holocaust/Post-holocaust era |
Women, property and identity in Victorian legal culture: Wilkie Collins's The woman in white |
Working at the intersection of the humanities, law and technology: digital humanities and the 'Two cultures' |
Beth H. Piatote, Domestic subjects: gender, citizenship, and law in native american literature, Yale University Press, New Haven (CT), 2013 [recensione] |
A bundle of sticks in my garden |
Focus: Gardens of justice |
'He does not love me, nor I he!' The critic's love is of critique, not of law |
'The law is a wise serpent': subtxtual subversion in The revenger's tragedy |
The other otherwise: law, historical trauma and the severed gardens of justice |
Paul Kearns, Freedom of artistic expression, Hart Publishing, Oxford [recensione] |
Renaissance actors and lawyers: instability of texts and social trafficking: The comedy of errors |
The right of free movement as temporal deterritorialization in the landscaped garden |
The voice of Martha Ray |
Voltaire's garden |
Western and post-western mythologies of law |
Where love do research: public opinion, the theatres, and the 1737 Licensing Act |