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Special issue: Emotions / guest editors Penny Morris, Mark Seymour and Francesco Ricatti |
Introduction: Italy and the emotions |
Hysteria's upheavals: emotional fault lines in Cristina di Belgiojoso's health history |
'Weeping tears of blood': exploring Italian soldiers' emotions in the First World War |
Avanti a lui tremava tutta Roma: opera, melodrama and the Resistance |
The age of innocence? Child narratives and Italian Holocaust films |
Emotions and gender in oral history: narrating Italy's 1968 |
Building a 'counter-community of emotions': feminist encounters and socio-cultural difference in 1970s Turin |
'Roma non dimentica i suoi figli': love, sacrifice and emotional attachment to football heroes |
Falcone and Borsellino: the story of an iconic photo |
Overcoming the 'Ndrangheta: contrasting methods and continuities of action. A report from the 'La ferita' conference, Reggio Calabria, November 2010 |
The new Neapolitan cinema, by Alex Marlow-Mann [Recensione] |
La prima generazione dei cantautori. 'Scuola' genovese, by Sebastiano Ferrari [Recensione] |
Mohamed Fekini and the fight to free Libya, by Angelo Del Boca, translated by Anthony Shugaar [Recensione] |
1968. L'autunno di Praga, by Demetrio Volcic, nota di Sergio Valzania [Recensione] |
Conflicts of memory: the reception of Holocaust films and TV programmes in Italy, 1945 to the present, by Emiliano Perra [Recensione] |
L'identità italiana in cucina, by Massimo Montanari [Recensione] |
City and nation in the Italian unification: the national festivals of Dante Alighieri, by Mahnaz Yousefzadeh [Recensione] |
Murder and media in the new Rome: the Fadda affair, by Thomas Simpson [Recensione] |
Oral history, oral culture, and Italian Americans, edited by Luisa Del Giudice [Recensione] |
Politica Pop. Da 'Porta a Porta' a 'L'isola dei famosi', by Gianpietro Mazzoleni and Anna Sfardini [Recensione] |
Effetto Tenco: genealogia della canzone d'autore, by Marco Santoro [Recensione] |
Politics of culture in liberal Italy: from unification to fascism, by Axel Körner [Recensione] |