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The archipelago: Italy since 1945, by John Foot [Recensione] |
Fascism and Resistance in Italian cinema: history, memory and identity after 1968, by Dominic H. Gavin [Recensione] |
The father of 'sovereignism': D'Annunzio in Fiume between the crisis of liberalism and the critique of democracy [Nel numero speciale 'Italian populism, ideology, culture and history'] |
Global populism and Italy. An interview with Federico Finchelstein [Nel numero speciale 'Italian populism, ideology, culture and history'] |
Introduction. On Italy's populism(s) [Nel numero speciale 'Italian populism, ideology, culture and history'] |
Italian populism, ideology, culture and history [Special Issue] |
Populism and Italy: a theoretical and epistemological conundrum [Nel numero speciale 'Italian populism, ideology, culture and history'] |
Rappresentare la violenza di genere. Sguardi femministi tra critica, attivismo e scrittura, by Marina Bettaglio, Nicoletta Mandolini and Silvia Ross [Recensione] |
Representations of 'Italian populism' in film [Nel numero speciale 'Italian populism, ideology, culture and history'] |
Réveiller l'archive d'une guerre coloniale. Photographies et écrits de Gaston Chérau, correspondant de guerre lors du conflit italo-turc pour la Libye (1911–1912) by Pierre Schill [Recensione] |
They, the people. Italian Fascism and the ambivalences of corporative populism [Nel numero speciale 'Italian populism, ideology, culture and history'] |
Vedere per credere. Il racconto museale dell'Italia unita, by Massimo Baioni [Recensione] |
The great illusion: blueprints of collaboration between revolutions in Italy and Germany (1848) |
The idea of a beautiful death in Italian literature of the Great War |
Italian intellectuals and international politics, 1945–1992, edited by Alessandra Tarquini and Andrea Guiso [Recensione] |
Italy's first ONB Alpine colonia climatica: more than fresh air, exercise, and propaganda? |
Italy through the red lens: Italian politics and society in communist propaganda films (1946–79), by Gianluca Fantoni [Recensione] |
'Parma dreaming’': Malerba's Il serpente |
The photoromance: a feminist reading of popular culture, by Paola Bonifazio [Recensione] |
Scritti (1910–1926), Volume 1, 1910–1916, by Antonio Gramsci, edited by Giuseppe Guida and Maria Luisa Righi - Scritti (1910–1926), Volume 2, 1917, by Antonio Gramsci, edited by Leonardo Rapone with Maria Luisa Righi and Benedetta Garzarelli [Recensione] |
A tale of two epicentres: Lombardy and New York City at the outbreak of the Coronavirus pandemic |
Verbal folklore in contemporary southern Italy: a not-so-distant mirror of cultural and environmental change |
Barron E. Storia sociale della televisione in Italia (1954–1969) by Damiano Garofalo, Venezia, Marsilio Editori, 2018 |
‘Citadels of spiritual resistance’: the Italian schools in Scotland, 1924–1940 |
Di Mauro-Jackson M. Migrant Anxieties: Italian Cinema in a Transnational Frame by Aine O’Healy, Bloomington, Indiana University Press, 2019 [recensione] |
European museology and colonial concord: Italy at the 1934 Expo du Sahara in Paris |
Francese J. La libertà viene prima. La libertà come posta in gioco nel conflitto sociale. Nuova edizione con pagine inedite dei Diari e altri scritti by Bruno Trentin, edited by Sante Cruciani, Florence, Florence University Press, 2021 [recensione] |
Garibaldi's Radical Legacy: Traditions of War Volunteering in Southern Europe (1861–1945) by Enrico Acciai, translated by Victoria Weavil, London and New York, Routledge, 2021 [recensione] |
Indelicato ME. Migration and the Media: Debating Chinese Migration to Italy, 1992–2012 by Gaoheng Zhang, Toronto, Buffalo, and London, University of Toronto Press, 2019 [recensione] |
La carta veloce. Figure, temi e politiche del giornalismo italiano dell'Ottocento edited by Morena Corradi and Silvia Valisa, Milan, FrancoAngeli, 2021 [recensione] |
Marlow-Mann A. Paolo Sorrentino’s Cinema and Television edited by Annachiara Mariani, Bristol and Chicago, Intellect, 2021 [recensione] |
Protective and risk factors for social withdrawal in adolescence. A mixed-method study of Italian students’ wellbeing |
Ringing in the papal restoration: Francesco Cancellieri’s treatise on the Capitoline bells (1806) |
The Russian invasion of Ukraine: some readings from Italian newspapers (20 February–5 March 2022) |
Colonies on the cover: Italo Balbo’s Libia |
Colonies on the cover: Italo Balbo’s Libia |
The denial of shame: representations and annual commemorations of the Ethiopian war in the news magazine Epoca (1950–60) |
Falciola L. 1960. L'Italia sull'orlo della guerra civile di Mimmo Franzinelli e Alessandro Giacone, Milano, Mondadori, 2020 [recensione] |
Images of black faces in Italian colonialism: mobile essentialisms |
Introduction: Critical issues in the study of visual and material culture of Italian colonialism |
Italia ribelle. Sommosse popolari e rivolte militari nel 1920 di Andrea Ventura, Roma, Carocci Editore, 2020 [recensione] |
King A. Feeding Fascism: The Politics of Women's Food Work di Diana Garvin, Toronto, University of Toronto Press, 2022 [recensione] |
La Penna D. Stuart Hood: Twentieth-Century Partisan a cura di David Hutchison e David Johnson, Newcastle upon Tyne, Cambridge Scholars Publishing, 2020[recensione] |
Liu Q. Island of Hope: Migration and Solidarity in the Mediterranean di Megan A. Carney, Oakland, University of California Press, 2021 [recensione] |
Messina M. Voices of Dissent: Interdisciplinary Approaches to New Italian Popular and Political Music di Giovanni Pietro Vitali, Oxford e New York, Peter Lang, 2020 [recensione] |
Orton M. Acting Across Borders: Mobility and Identity in Italian Cinema di Alberto Zambenedetti, Edimburgo, Edinburgh University Press, 2021 [recensione] |
Past, present, and future of the Italian memory of Fascism. Interviews with Luisa Passerini, Filippo Focardi, John Foot, Robert Gordon, and Philip Cooke |
The social lives of mass-produced images of the 1935–41 Italo-Ethiopian War |