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Celsus and Chtawin go walkabout |
Disruptions and negotiations of identity in Act 1 of Shakespeare's Othello |
Focus: Shakespeare and the law |
Free will and folly in As yu like it |
Gary Watt, Dress, law and the naked truth. A culural study of fashion and form [recensione] |
Ilegal search and seizure, due process, and the right of accused: the voice of power in the rethoric of Los Angeles police chief William H. Parker |
José Calvo Gonzales, Direito curvo [recensione] |
The judge's voice: literary and legal emblemata |
Power and the trial: the tension between voices and silence |
Representing the unrepresentable: making law anyway? |
Romeo and Juliet: the importance of a name |
Silence, power and the suicide in Michel Cunningham's The hours |
Unrelieble sources for law: dying declarations Shakespeare's King John, Othello and King Lear |
Voice, authority and the law in Peter Carey's True history of the Kelly gang |
Weak kings and perverted symbolism. How Shakespeare treats the doctrine of the king's two bodies |
Ceasar's body in Shakespeare's Julius Caesar: sacralization and de-sacralization of power |
Disputes and the different: literary strategies to say the unspeakable |
Focus: Voices of power/power of voices |
Is there voice without law? On The road |
Legal oracularism and theological prophetism. Fleshly silences across memories and traditions |
Legal systemology and the geopolitics of Roman law: a response to Stuart Eldn's critique of Carl Schmitt's spatial ontology |
Mirelle Hildebrandt and Jeanne Gaakeer eds. Human law and computer law: comparative perspectives [recensione] |
Speech and graphomena: the power of Apuleio's words in court and in translation |
'There were no longer any laws': voices of authority, complicity, and resistance in totalitarian dystopias and holocaust imagining |
Voice, incarnation and the United State Supreme Court |
Voices of spectators and audience power |
war in words: the Tricycle Theatre's re-voicing of the bloody Sunday inquiry |
'What is royalty without a voice?' The performance of power in The king's speach |
The working class goes to the movie: labour law and thatcherism in British films |