Autore
Cortellessa, AndreaTitolo
Fuochi, gemme e altre meraviglie. Sui muri di ZanzottoPeriodico
Strumenti criticiAnno:
2023 - Volume:
161 - Fascicolo:
1 - Pagina iniziale:
31 - Pagina finale:
54Starting with a text of the Fifties, 1944: FAIER, the theme, or rather the situation, of the writing on the walls recurs in both Andrea Zanzotto’s poetry and prose. Mostly anonymous, wall inscriptions almost always signify the passage of time and history, and their traumatic ‘tattoo’ on the subject’s psyche as well as on the territory’s «flesh-earth». The origin of this obsessive theme is to be found in the funeral inscriptions engraved in monumental Fascist memorials, or in humble country stones, in memory of those fallen in the First World War: monumental presences, in a broad sense, that marked the poet’s childhood and youth
SICI: 0039-2618(2023)161:1<31:FGEAMS>2.0.ZU;2-G
Testo completo:
https://www.rivisteweb.it/download/article/10.1419/106853Testo completo alternativo:
https://www.rivisteweb.it/doi/10.1419/106853Esportazione dati in Refworks (solo per utenti abilitati)
Record salvabile in Zotero
Biblioteche ACNP che possiedono il periodico