Autore
Chiozzi, PaoloTitolo
Saper vedere: il "giro lungo" dell'antropologia visualePeriodico
Società mutamento politica (Online)Anno:
2016 - Volume:
7 - Fascicolo:
14 - Pagina iniziale:
267 - Pagina finale:
292Visual anthropology is often identified with ‘Ethnographic film’, thus the debate focuses more on filming than on ethics of anthropological research. In this paper I suggest a different approach to visual research, where the anthropologist does not abdicate his cultural and ‘political’ tasks to become a filmmaker, but is aware that he must ‘learn’ (and teach) how to see human reality. And my long wandering through visual anthropology allowed me to realize that one can be a good ‘visual’ anthropologist even if he does not make himself films or professional photographs – on the contrary I believe that the collaboration between the anthropologist and the photographer is often much more suitable. What we should do, is to interact and collaborate with professional filmmakers and/or photographers who share our own ideas about the ‘observation’ of humans: not a sort of voyeurism, but an emotional sharing of their memories, of their daily life, of their emotions, of their fears – and of course the awareness that anthropology has an intrinsic ‘political’ involvement. Here my aim is to explain my own approach through some examples of anthropological research based on a tight collaboration with photographers (Davide Virdis, acrhitect and photographer – Stefano Morelli, psychologist and photographer – Mario Chieffo, freelance photographer), and one specific work done involving also a filmmaker, Sandro Nardoni. Those works are actually steps of a route that led me to realize how dangerous the overemphasis of our sense of seeing may be.
SICI: 2038-3150(2016)7:14<267:SVI"LD>2.0.ZU;2-X
Testo completo:
http://www.fupress.net/index.php/smp/article/download/19706/18308Esportazione dati in Refworks (solo per utenti abilitati)
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