Autore
Armato, Giorgio

Titolo
Performances Compared. Sequential replication of the same music piece on an audiovisual file
Periodico
Aisthesis
Anno: 2016 - Volume: 9 - Fascicolo: 1 - Pagina iniziale: 87 - Pagina finale: 95

In this paper I will address some theories of Roman Ingarden and Walter Benjamin in the light of the new reproductive technologies for streaming music. As to Ingarden's theory I argue that, in the case I am bringing into investigation, streaming music experience can bring new light on the problem of the identity of the musical work by creating a continuum in a sequence of performances, and such continuum may account for a sort of ‘fluid’ cross-identity of the music piece variously performed. I also argue that the lack of ‘aura’, in this case, does not devalue the music piece and nevertheless allows for a notable aesthetic fruition.



SICI: 2035-8466(2016)9:1<87:PCSROT>2.0.ZU;2-X
Testo completo: http://www.fupress.net/index.php/aisthesis/article/download/18236/16954
Testo completo alternativo: http://www.fupress.net/index.php/aisthesis/article/download/18236/16955

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