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Icons of remorse: photography, anthropology and the erasure of history in 1950s Italy [Nel numero speciale 'Iconic images in modern Italy: politics, culture and society'] |
Luca Somigli and Mario Moroni (eds) (2004) Italian modernism: Italian culture between Decadentism and Avant-Garde (Toronto: University of Toronto Press) [Recensione] |
Photography as power: dominance and resistance through the Italian lens, edited by Marco Andreani and Nicoletta Pazzaglia [Recensione] |