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What's in a Curry? Interdisciplinary Approaches to Indian Food Discourse |
"There is no order in my garden": The Itineraries of Being and Meaning in Jamaica Kincaid's My Garden (Book): |
(Post)Colonial History, Personal Stories. Indigenous (Auto)Biographical Writing at the Intersection between History and Literature |
Psychiatric Fictional Pathography: The Alzheimer's Brain in Lisa Genova's Still Alice and Samantha Harvey's The Wilderness |
Film Adaptations as Intersemiotic Contact Zones: Edge of Madness by Anne Wheeler |
The Adaptation of a Novel to Filmic Needs: Thematic Focus in the Subtitles of Two Filmic Versions of Pride and Prejudice |
A Woman's Voice in Economics: The Dialogic Nature of Vernon Lee's Writing |
Fantasy in the Context of Interdisciplinarity, or the 'Case' of His Dark Materials by Philip Pullman: Language Matters, Cultural References, and Literary Intertextuality |
Language Migration across Literature: Jhumpa Lahiri's Italian Self-Quest |
A Critical Look at Post-First World War England: Annie Vivanti's Naja Tripudians, from Reality to Fiction |
Consumptive Bodies and Diaphanous Types: The Vanishing Self in George Eliot's Daniel Deronda and Walter Pater's Imaginary Portraits |
Caribbean World-Makers and Word-Breakers. Rhizomatic Poetics and the Politics of Transcultural Imagination |
Performing Epic in Contemporary British Poetry: Kate Tempest's Brand New Ancients |