#GomorraLaSerie: converging audience and enhanced authorship on twenty-first-century Italian screens |
Italian anti-Fascism in London, 1922–1934 |
The Eurozone crisis and Italian corporate governance: the end of blockholding? |
Political utopia or Potemkin village? Italian travellers to the Soviet Union in the early Cold War |
Owner parties and party institutionalisation in Italy: is the Northern League exceptional? |
The particular kindness of friends: ex-Fascists, clientage and the transition to democracy in Italy, 1945–1960 |
The moral conundrums of the historian: Claudio Pavone's A civil war and its legacy |
London calling Italy: La propaganda di Radio Londra nel 1943, by Ester Lo Biundo [Recensione] |
Fascism in Italian cinema since 1945: the politics and aesthetics of memory, by Giacomo Lichtner [Recensione] |
Historical essay on the Neapolitan revolution of 1799, by Vincenzo Cuoco, edited and introduced by Bruce Haddock and Filippo Sabetti, translated by David Gibbons [Recensione] |
Through partisan eyes: my friendships, literary education, and political encounters in Italy (1956–2013), by Frank Rosengarten [Recensione] |
Mussolini's dream factory: film stardom in Fascist Italy, by Stephen Gundle [Recensione] |
Giulio Einaudi nell'editoria di cultura del Novecento italiano, edited by Paolo Soddu [Recensione] |
Wehrmacht und Waffen-SS im Partisanenkrieg: Italien 1943–1945, by Carlo Gentile [Recensione] |